we ask inspiring Painter Victor Schegin “Seehund ART” questions about art and life. Who are you and what do you do? I’m Victor Schegin, a young French… Read more “Q&A with Inspiring Painter Victor Schegin”
Paul Kolker (b. 1935) is a New York-based artist with doctorate degrees in medicine and law. He is Fellow American College of Surgeons, Fellow American College of Legal Medicine and Emeritus Chief of Cardiothoracic Surgery at Northwell Glen Cove Hospital, having practiced cardiothoracic surgery on Long Island from 1969 to 2013. In October 2001 Kolker moved his Long Island studio to his current address in the Chelsea art district so that he could produce his works and curate his exhibitions as an experiment in perception. His studio and gallery have together become his laboratory in which the viewer is the measuring instrument for Kolker’s art as a perceptual experiment; therefore linking Kolker’s curation and exhibition with his art production. Gesundheit Reimagined! is Kolker’s sixtieth solo exhibition.
Paul Kolker: Gesundheit Reimagined! is on view from September 28 through November 10, 2017, at the Paul Kolker collection, 511 West 25th Street in Chelsea, adjacent to the Highline between Tenth and Eleventh, Avenues. Also on view at 600 Third Avenue is Abstract Decalcomania… An ExperiHighlinePerception.
Address: 564 W 25th St, New York, NY 10001
Video Link: https://youtu.be/W4HdG_ynBks
Artist: CATHERINE MACKEY
Exhibition Title: Taking Measure (Celebrating the City)
Exhibition Dates: Oct 5 -17, 2017
Gallery Link: http://stricoff.com/catherine-mackey/
Walburga/Wally Neuzil was not only Egon Schiele’s model from early 1911 but also his girlfriend and faithful companion until the spring of 1915. Having started out as one of many models, she soon played a key role in Schiele’s life and works. Schiele created himself, his vision of an artist, through his works, while Wally revealed to him a world that was indispensable for this development – an open sexuality that had progressed from the constraints and dangers encountered by adolescents towards an emotionality enjoyed on an equal footing, an ability to have relationships and with it a more stable, reliable self.
While she modeled for Schiele, Wally was also working as a sales assistant, a cashier and mannequin at a clothing store. Together with Schiele she moved to Krumau in the spring of 1911 and visited him in Neulengbach. She stood by him during his time in prison in April 1912, trusted in his integrity and provided active support throughout this crisis. Until early 1915 she remained the person the artist related to most closely.
Diego Rivera, Calla Lilly Vendor (Vendedora de Alcatraces), 1942, oil on masonite, (Banco Nacional de Mexico, Mexico City) Speakers: Dr. Beth Harris and Dr. Steven Zucker.
YouTube Channel: Smarthistory. art, history, conversation.
Stuart Davis American, 1892–1964
Stuart Davis (December 7, 1892–June 24, 1964), was an early American modernist painter. He was well known for his jazz-influenced, proto pop art paintings of the 1940s and 1950s, bold, brash, and colorful, as well as his Ashcan School pictures in the early years of the 20th century. With the belief that his work could influence the sociopolitical environment of America, Davis’ political message was apparent in all of his pieces from the most abstract to the clearest. Contrary to most modernist artists, Davis was aware of his political objectives and allegiances and did not waver in loyalty via artwork during the course of his career. By the 1930s, Davis was already a famous American painter, but that did not save him from feeling the negative affects of the Great Depression. No one was exempt from the effects of the Great Depression and led to Stuart Davis being one of the first artists to apply for the Federal Art Project. Under the project, Davis created some seemingly Marxist works; however, Davis was too much of an independent person and thinker to fully support Marxist ideals and philosophies. Despite several works that appear to be nondemocratic or push Marxist views, Davis’ roots in American optimism is apparent throughout his lifetime.
Originally a magazine illustrator, Davis seriously turned to painting after viewing the Armory Show of 1913. His works featured banal images (a cigarette packet, signs, notices), altered with strong colors and words in script, suggesting the rhythm of an urban environment suffused with jazz
YouTube Channel: Tuen Tony Kwok